I'm almost finished with Christianity's Dangerous Idea, and this week have been fascinated by its discussion of Protestantism and the arts. Early Protestant churches and writers were diverse in this area, particularly in music and painting. Plays seemed to be despised universally, and people were ambivalent about poetry. But with paintings, some saw it as breaking the second commandment while others saw it as "too Catholic" (very reasonable, no?) while still others such as Luther saw them as helpful communication tools. Likewise, Luther and some others began to write hymns that weren't just psalms set to music, which were scandalous to many. How dare people bring "worldly" musical styles into the church! And the installation of organs in churches? Awful! This all sounds very familiar...
We watched Tropic Thunder this week, a lampoon of Hollywood set in the jungles of Vietnam as a group of actors shoot a Platoon-style movie. Ben Stiller plays the action movie hero past his prime, Robert Downey, Jr. the ultra-serious method actor, and Jack Black the one-note broad comedy actor. Eventually, art becomes real life as Stiller's character is captured by a drug lord, and the others have to come up with a plan to save him. The funniest parts for me came from Tom Cruise playing the pompous studio head. The movie as a whole has a dark, quirky humor to it...I think it did well in theaters, but word of mouth couldn't have painted this as the goofball comedy it was presented as in commercials.
We also saw Harry Potter and the Half-Blood Prince this week. It was well-done, as they all are...a few things added and subtracted, of course. They very much played this as a set-up for the next two movies: the budding relationships between Ron & Hermione, and Harry & Ginny, along with the explanation of the horcruxes. I suppose that the book was really meant to be that as well, with such an emphasis on analyzing Voldemort's past in order to defeat him. As such, this movie didn't have as much action. There is an added scene where some of the Deatheaters attack the borough, which may have been to throw a bone to people expecting more. Even The Big Scene At The End is much more subdued, even though it's a chaotic battle in the book. Nevertheless, it told the story well and points the audience ahead, perhaps with an unspoken promise that the chaos is coming.
I've heard a couple new albums this week:
Lessons to Be Learned by Gabriella Cilmi - I was hooked by Cilmi after seeing the video for "Sweet About Me." She'll remind people of Amy Winehouse in certain places, as she exhibits a certain 60s Motown influence, along with more straightforward pop, rock, and folk.
Ga Ga Ga Ga Ga by Spoon - I saw it at the library and was intrigued. I listened and was underwhelmed. I don't hear too much that might distinguish it from much else if I'd heard it on the radio. Of course, a sampling of reviewers on Amazon indicates that if one didn't like this album, one simply needs to listen to [this other album of theirs] instead to truly appreciate their unique genius. Gee, that happens to me a lot. But if someone who reads this can indeed affirm that I've once again chosen the wrong album as an introduction, then I'll gladly try the recommended choice.
From around the web, here's Michael Jackson's "Bad" mixed with the Ghostbusters theme: